Decisive Momentum

Every photographer should try shooting nature closeups sometime! Outrageous, I know. Might as well suggest that it is the sacred duty of every budding shutterbug to make portraits of domesticated felines, or shoot oversaturated sunsets. But bear with me for a second. When I started doing photography seriously I had no interest in insects, none! Not even the more conventional interest in pretty flower shots. My foray into macro photography was the result of circumstances. I didn't have a car at the time, and I found that nature's grandeur was somewhat limited on the regular bus routes. But there was a meadow and a small lake nearby with lots of lovely plants ... and butterflies - pretty butterflies. So I tried shooting some pictures with my new zoom, but strangely not much came out. Admittedly I was a beginner all around, and my portraits or street photographs, too, were not likely to be mistaken for undiscovered Karsh or Cartier-Bresson. But y'know, if I took a shot of m

An old friend just asked me for a film recommendation. She got a DSLR recently, made a few nice photographs, converted a few to black and white, got to wondering what real black and white film is like, dug out an old family Minolta SLR - and here we are. I thought that a lot of people who have started out with digital photography and never experienced film might be in a similar position. The terminology surrounding various types of films, formats and processes can be a little confusing and daunting - it was for me when I started, even though it was before digital photography exploded on the scene. So here's a quick rundown for the rank newcomer to film. Any advanced photographer will, of course, find this full of generalizations and simplifications, and the beginner should note that the techniques surrounding film photography are a vast subject. It ranges from the extremely precise to the seemingly mystical but is always fascinating. I hope you will find this little write-up an ade